Since I began creating ink paintings in 1969, I have gone through various stages, including "Pop Ink," "Reinterpreting Tradition," "Natural Imagery," and "Independent Innovation," moving from figurative to abstract. Entering the 21st century, my love for Chinese characters has inspired me to merge calligraphy and painting, blending cursive script with landscapes, embodying the concepts of "writing from the mind" and "painting my mind." In the process of being unable to derive new methods from existing ones, I created something out of nothing, unfolding personal imagery from the contours of the mind. Currently, with unrestricted use of ink and color, the work presents the vast and grand natural vision of the Mindscape.