Originally located in Central Wellington Street in Hong Kong, with more than 40 years of expertise, Lee Wah offers their customers the finest picture framing supplies imported from Europe and USA. Their frames are made in Hong Kong and they have a comprehensive selection of more than 1,000 frame moulding styles. At their new location – Chancery Lane, their professional framers will continue to advise you in creating framing designs that best suit your artwork, interior décor and style.

Lucy Parris is a printmaker and urban sketcher living in Hong Kong. Known for her beautiful printmaking, Lucy offers workshops to share her knowledge. Lucy offers lino cutting workshops as well as workshops in collographs, drawing and sketching. Her studio is conveniently located near to Central MTR in Lan Kwai Fong.

Since the foundation of Int. Meeting Of Styles back in 1997 more than 400 events have been realised worldwide attracting hundreds of thousands spectators and sponsoring thousands of artists throughout the world. MOS brings people together, creates publicity, supports the netting and enables intercultural cross-boarder-cooperation. It is an example how a better world of tomorrow may be possible. It all started mid 90ies in the city of Wiesbaden, Germany with the availability of a huge abandonned area known as the Schlachthof Wiesbaden. Soon it got discovered and established as a Graffiti-Hall-Of-Fame where artists could paint almost legally on thousands of squaremeters surface. Plans of the city-council to tear down the area became public, recultivating the buildings was no option for the city. To resist the plans of destruction the “Int. Wall Street Meeting” was created in order to present the area as a melting-point of urban street-culture. Annually Graffiti-Artists from all over the world gathered in the spirit of colaboration and exchange, so during a weekend in summer the entire area got a new outlook, created by hundreds of artists. Eventhough the event managed to delay the demolition for years, it was not possible to preserve the area. In the years from 1997-2001 the „Int. Wall Street Meeting” welcomed more than 25.000 visitors from all over Germany, Europe and the rest of the world to attend and to enjoy art in the process of creation. Because of its authentical style and its message the Meeting is mentioned as the best Graffiti-Event ever happened. Its worldwide reputation and the enourmous feedback inspired us in 2002 to spread its message which led to the founding of the “Int. Meeting Of Styles”, an international network of graffiti artists and aficionados. Brought together and inspired by their passion for graffiti, MOS aims to create a forum for the international art community to communicate, assemble and exchange ideas, works and skills, but also to support intercultural exchange. In the spirit of cooperation and promotion, since then MOS has launched hundreds events in many countries across Europe, Russia, Asia and the Americas. These events have sponsored thousands of Graffiti-Artists from all over the world and throughout the years have attracted hundreds of thousands spectators, providing a focal point for urban street culture and graffiti art. The “Meeting Of Styles” as its name says, is a meeting of styles, created to support the netting of the international art-community. It is not meant to be a forum only for classical and traditonal Graffiti-Artists and -Writers, but a podium to present all different types of urban art! This is why we are open for all types and styles. The “Int. Meeting Of Styles”-Organisation is a non-profit-organisation formed by dedicated and passionate Artists and Art-Lovers who put a lot of work and engagement into the MOS. We as an organisation feel responsibility to work for unification and to resist a system that takes away freedom for order, control and profit. Politics affect us each and every day, locally and globally. Your consumption has a direct impact to the destruction and exploitation of our environment and the manipulation and enslavement of humanity. MOS is our contribution to raise consciousness. The key to freedom is knowledge and education.

We are a contemporary Jewellery Studio that exhibits uniquely handcrafted yet modern 'wearable-object'. We aim to promote contemporary & innovative art jewellery as well as metal craft to the public. Jewellery & metalsmithing workshops take place in our studio for those eager to learn the methods of traditional jewellery-smithing via a hands-on approach. Our workshops are open to all, regardless of age, gender or prior experience. A fruitful experience awaits at Obellery.

Holding decades-long relationships with Alexander Calder, Jean Dubuffet, Agnes Martin, Louise Nevelson, and Mark Rothko, Pace has a unique history that can be traced to its early support of artists central to the Abstract Expressionist and Light and Space movements. Now in its seventh decade, the gallery continues to nurture its longstanding relationships with its legacy artists and estates while also making an investment in the careers of contemporary artists, including Torkwase Dyson, Loie Hollowell, Robert Nava, Adam Pendleton, and Marina Perez Simão. Under the current leadership of CEO Marc Glimcher and President Samanthe Rubell, Pace has established itself as a collaborative force in the art world, partnering with other galleries and nonprofit organizations around the world in recent years. The gallery advances its mission to support its artists and share their visionary work with audiences and collectors around the world through a robust global program anchored by its exhibitions of both 20th century and contemporary art and scholarly projects from its imprint Pace Publishing, which produces books introducing new voices to the art historical canon. This artist-first ethos also extends to public installations, philanthropic events, performances, and other interdisciplinary programming presented by Pace. Today, Pace has eight locations worldwide, including two galleries in New York—its eight-story headquarters at 540 West 25th Street and an adjacent 8,000-square-foot exhibition space at 510 West 25th Street. The gallery’s history in the New York art world dates to 1963, when it opened its first space in the city on East 57th Street. A champion of Light and Space artists, Pace has also been active in California for some 60 years, opening its West Coast flagship in Los Angeles in 2022. The gallery maintains European footholds in London and Geneva as well as Berlin, where it established an office in 2023. Pace was one of the first international galleries to have a major presence in Asia, where it has been active since 2008, the year it first opened in Beijing’s vibrant 798 Art District. It now operates galleries in Hong Kong and Seoul and opened its first gallery in Japan in Tokyo’s Azabudai Hills development in 2024.

Leo Gallery is one of the pioneer Contemporary Art galleries in Shanghai. Established in 2008 by Leo Li and Cissy Pao-Watari, it focuses on contemporary abstract and expressionist art. Located in Ferguson Lane, the diplomatic quarter of Shanghai's former French Concession, Leo Gallery has a gallery space on Wukang Road. In 2015, Leo Gallery expanded to Hong Kong, where its current space is situated at 46 Sai Street, Sheung Wan. Leo Gallery is respected as a progressive force in Shanghai, nurturing young and representing established contemporary artists regardless of nationality. As a gallery that has been actively advocating for women artists, repeatedly helping emerging artists make their debut shows, and delving into cross-cultural communications via a unique curatorial perspective, Leo Gallery places particular emphasis on building sustainable relationships. Its international cooperations are based on professionalism and mutual respect. Leo Gallery runs a quality residency program for young artists, with a large studio and living accommodations near Shanghai. It is committed to fostering the local community, collaborating with other institutions, delivering academic programs, and initiating public art projects.

M+ is Asia’s global museum of contemporary visual culture. Located in Hong Kong’s West Kowloon Cultural District (WestK), it is dedicated to collecting, exhibiting, and interpreting visual art, design and architecture, moving image, and Hong Kong visual culture of the twentieth and twenty-first centuries. The landmark M+ building on Hong Kong’s Victoria Harbourfront was designed by the world-renowned architectural firm Herzog & de Meuron in partnership with TFP Farrells and Arup. It spans a total floor area of 65,000 square metres, featuring thirty-three galleries alongside a Learning Hub, Moving Image Centre, Research Centre, and Roof Garden, among other event and programming spaces. The M+ Facade is one of the largest LED screens in the world, showcasing commissioned artworks on the Hong Kong skyline every evening. The museum stewards a multidisciplinary permanent collection that includes objects from regions across Asia and beyond. A highlight is the M+ Sigg Collection, one of the world’s most extensive collections of Chinese contemporary art. Today, M+ is a nexus for researching and presenting contemporary visual culture, inspiring thought and curiosity.

Michael Kistler is a fine art street photographer. Originally from Minneapolis, he has returned to the bright lights and gritty back alleys of Hong Kong after a two-year stint in Singapore. Previously, Michael lived in Hong Kong for 8 years and honed his craft in Tokyo prior to that for 10 years. In addition to fine art creation, Michael offers mentoring and coaching to other photographers as well as bespoke portrait, product and lifestyle shoots incorporating iconic elements of the Hong Kong cityscape. He also regularly runs street photography workshops in Hong Kong, Macau and Tokyo. Reflections, motion blur, layers and abstraction are typical recurring elements in his aesthetic. His book, The Downfall of Night, was published by SnapCollective in 2024. Based in Midlevels on Hong Kong Island, Michael can be found working on location throughout the city.

Oi! is an art space located in the North Point community which is popular among the public. Its name links the ideas behind it with its location: Oi! sounds similar to the address in Cantonese and conveys a call for people's attention while providing a platform where they can realise their dreams in art. Oi! includes a historic building complex opened in 1908. It was a yacht club clubhouse that was located on the waterfront in North Point at the time. Following land reclamation work in the 1930s, the buildings were initially converted into staff quarters for the Government Supplies Department and later into a storage facility for the Antiquities and Monuments Office. After it was allocated to the Art Promotion Office for revitalisation and restoration, the red-bricked Grade II historic building complex with tile roof was renamed as Oi!, which was opened to the public in 2013. In order to provide more space to inspire and increase imagination, Oi! has further expanded in 2022, in which an adjacent outdoor space has been integrated with the original premises. The new extension provides both outdoor and indoor spaces to host a wide variety of art exhibitions and community-engaged activities that encouraging the public to enjoy the environment and to ignite creative ideas.

Para Site is Hong Kong’s leading contemporary art centre and one of the oldest and most active independent art institutions in Asia. It produces exhibitions, publications, discursive, and educational projects aimed at forging a critical understanding of local and international phenomena in art and society. Founded in early 1996 as an artist run space, Para Site was Hong Kong’s first exhibition-making institution of contemporary art and a crucial self-organised structure within the city’s civil society, during the uncertain period preceding its handover to Mainland China. Throughout the years, Para Site has grown into a contemporary art centre, engaged in a wide array of activities and collaborations with other art institutions, museums, and academic structures in Hong Kong and the international landscape. In early 2015, Para Site moved to greatly increased premises, in North Point/Quarry Bay. Throughout its history, Para Site’s activities have included a range of different formats, among which P/S magazine (1997–2006), a bilingual publication, which was Hong Kong’s first visual arts magazine and a central platform for the development of art writing and of a discursive scene in the city and the Curatorial Training Programme (2007–2010). Since 2012, Para Site has been running an International Art Residency Programme and has been organizing an annual international conference. This is accompanied, starting from 2015, by a new educational format aimed at training young curators and other art professionals. Para Site’s activities are made possible by the generous support of its patrons, and grants from foundations and the Government of the HKSAR.

LoveMyArts Studio offers a wide range of workshops including oil painting, sketching, digital, watercolour and acrylic. The list of available workshops is extensive. The studio is located in Kwun Tong.

Becky Gilmour founded Make and Do HK in Hong Kong, bringing her passion for textile arts and craftsmanship to life. Originally from Cumbria in the Lake District, Becky relocated to Hong Kong in 2011, where she established her studio in 2017. At Make and Do HK, the focus is on creating innovative textile art and installations that blend robust design principles with a love for craftsmanship. The studio offers a variety of tactile works that encourage exploration and engagement, alongside textile-led courses designed to foster creativity and skill development at our Chai Wan location. With over 13 years of experience in the fashion industry, Becky returned to her roots in crafts to create meaningful experiences. She has collaborated with prominent brands such as Facebook, Adidas, Bloomberg, and SWIRE, facilitating brand and team-building events that highlight the unifying power of craft and creativity. Additionally, Becky is dedicated to inspiring the next generation in textile arts, having worked with various educational institutions, including The ISF Academy and multiple ESF Schools across Hong Kong. Discover the world of textile arts with Make and Do HK, where purposeful making enhances well-being and fosters positivity!

Mr Paintbrush offers art workshops for both children of all ages and adults as well as portfolio reviews for aspiring artists. The studio is located in Wan Chai just a block away from Wan Chai MTR station.

Ora-Ora began in Hong Kong in 2006, with globally-sourced artists who are thought-driven innovators. Our artists interpret history and philosophy to bring new perspectives to our modern world and the lively dialogues between east and west. Recognized for our support of Asian contemporary art, we have grown to represent artists from Asia, Europe and the US across a variety of media.

Pearl Lam Galleries is a driving force within Asia’s contemporary art scene. Founded in 2005, the gallery plays a vital role in stimulating international dialogue and cross-cultural exchange between the East and West. Following a rigorous programme, Pearl Lam Galleries presents museum-quality exhibitions that re-evaluate and challenge perceptions of cultural practice in Asia. With a thoughtfully balanced roster of Chinese and international artists, the gallery is strategic in its curation, positioning itself as an educator. The gallery maintains a space in Hong Kong and Shanghai. With a team of international staff, Pearl Lam Galleries’ reach is global, having presentations at major international art fairs including Art Cologne, Art Basel, Frieze Masters, and West Bund Art and Design.